Showing posts with label Entertainment News. Show all posts
Showing posts with label Entertainment News. Show all posts

Wish chocolate day with SMS, Messages and of-course chocolates

It is the third day of the most romantic week of the year where love birds exchange chocolates after giving the roses on the first day and proposing on the second. Every day in the valentine week has its own charm and plays its role to set the ball rolling for the D-Day i.e. Valentine Day. this is the day of the year when you can snuggle with your loved one and sip dark chocolate with a hint of cinnamon and enjoy sweet chocolate to sizzle the moment.

One of the major involvement of technology these days is into celebrate the occasions, from festivals to birthdays, SMS and social networking platforms have their own role to play and celebrating Valentine week/day is no different, so pick up the phone and write the secret words in the language of chocolates making him/her feel sweet than the Dairy Milk or 5-star.

Though chocolates have their health benefits and limitations, several people are of the view that chocolates have been to propose and express love and best part is you really do not need to have a Swiss bank account to give away the finest Swiss chocolates, so what are you waiting for, gear up because it is now or never

Salman Khan, Shah Rukh Khan avoided each other at Aamir Khan bash for Imran

They say your guest list and, more importantly, who on the list turns up at your do, is a sign of your clout in showbiz. Everyone who is anyone in Mumbai turned up in their designer best on Saturday evening as Aamir Khan hosted a reception to mark the wedding of his nephew Imran Khan with Avantika.


The January 10 wedding was a private affair, but the reception saw the glitterati by the hordes, alighting from their swanky cars and decked in chic best. From Bollywood A- listers to cricketing superstars, from political top dogs to bureaucrats, from industrialists to Page 3 divas — they were all there.

The venue, the Taj Land’s End hotel at Bandstand, looked more like the location of a mega Bollywood awards night. But you realised it wasn’t an awards do when you spotted superstar Aamir Khan with wife Kiran Rao at the gate, personally receiving each and every guest.

While Imran looked resplendent in formals, Avantika dazzled in a lehenga . As the evening wore, the guest list continued to swell. The frenetic crowd that had gathered outside the hotel went into raptures as Sachin Tendulkar and Yuvraj Singh walked in.

Top tycoons spotted at the do included Mukesh Ambani, Anand Mahindra, and Kumar Mangalam Birla. The Thackerays added a dash of drama to the evening. Just as Shiv Sena leader Uddhav walked into the hotel, his cousin and political rival Raj made a rather pronounced exit.

Of course, the waiting crowd reserved the biggest cheers for the A- listers. A mini riot ensued when Salman Khan, Kareena Kapoor, Preity Zinta and Karan Johar walked in. Thespians such as Shammi Kapoor, Dev Anand, Dilip Kumar ( who came with wife Saira Banu), Dharmendra and Jeetendra also came to offer their blessings to the happy couple.

Shah Rukh Khan turned the most heads as he and wife Gauri entered the venue. But those who were expecting SRK and Salman to kiss and make up as they came under the same roof were left disappointed as SRK reached the venue at around 2:30 am where as Salman made an quite exit at around mid night and that too from the back door.

Others who attended the reception included Yash and Pamela Chopra, Juhi Chawla, Sarika and Rajkumar Hirani.

Valentine Week begins, Countdown starts for Valentines Day: SMS, Messages things of the past now

Did Valentines Day disappoint you last year? Dont let it happen this time. Does he thinks V- day is no different from any other day? No problem, well take the bull by the horns and make sure this Valentines is indeed special.

Popular wisdom says its the boys who do the wooing. Lets break this rule. Valentine is all about love, so it cant be just the boys prerogative to take the first step? Heres a 10-point programme guaranteed to fetch favourable results.

1. Start a 15-minutes-for-yourself plan to a prettier, lovelier you. Begin with a beauty routine which includes the essential cleanse, moisturise and massage sets. Do it for the whole body. A simple all- in- one trick is a homely gram- flour mixed in a generous dollop of massage oil. Just 10 days of it should guarantee that youll be glowing like beaten gold, even without sparklers.

2. No beauty routine works if youre carrying toxins. Detoxicate yourself with warm fresh lime and honey first thing in the morning, until D-day. The good news is that it is thinning too! A few minutes of pranayama or just deep breathing for a few minutes every morning can bring out roses in your cheeks too.

3. Invest a little time in exercising regularly. Feeling good about yourself is the first step to feeling good in general. And even a week can do wonders, not just for your body but your general well-being. Foxed about what regime to adopt? What stops you from just jogging or walking? Boring? Put on your favourite music CD and dance away the bulges and the blues.

4. Initiate genteel inquiries about what he needs, or if you know him well, ask yourself what hell love having. Do a gift survey with enough time in hand so you dont end up mumbling a sheepish “ er… its the thought that counts”.

5. Start dropping hints about what youre dying for so he has ample time to locate it and you dont have to sigh a fake “ Oh, how thoughtful of you!” over the hand- blender he thought to be the perfect gift.

6. Check out your wardrobe and see if youre wellequipped. Nothing can be as depressing as party tonight but nothing to wear. Splurge on a dress, a heady new fragrance, a bauble.

7. If youve always gone out on Valentines, celebrate this one at home or viceversa. Plan accordingly — if its to be at home, brighten it up with little deft touches. Throw in a few new things — linens, bric-a-brac. Cuddlies can make even a hovel look Valentineish. If it is to be outside, find out about a new place to go to.

8. Have you looked at yourself through his eyes? Are you the same person he was attracted to? Time changes everyone and if they arent for the better, what better time to introspect and alter?

9. Unearth the beautiful china youve been holding for a special occasion. Valentines Eve is special. Lead it up to an unforgettable Valentines Day. Go all out with flowers, lipsmacking food, candles, the works. If he has any conscience hell make the next day more special. Remember love is give and take. Give first with an open heart and take our word for it, good things will follow.

10. Beat the sun and let him open his eyes to a blood red bouquet! If hes done it for you till now, all the more reason why you could do it for him this once. If he hasnt, teach by example.

Pssst… experience says throwing in a nice hot cuppa and perhaps a hot breakfast will make his day and yours.

A 100 crore rupees gala to celebrate 100 years of Indian cinema

The Indian film industry has come a long way from 1913, when the release of the 16- minute silent movie, Raja Harishchandra, marked its birth. As the industry turns 100 in 2013, the government plans to organise a yearlong extravaganza of events to commemorate the occasion.

Sources say the government may earmark a budget of about Rs. 100 crore for the celebrations. Information and broadcasting minister Ambika Soni has already started a Rs. 660- crore National Film Heritage Mission to help resurrect and preserve old films in the digital format.

An official said the government “ wants to play the producer by funding the celebrations, while the film industry, cinema aficionados, and civil society will play the lead role”. “ The ministry would like to fund proposals that reflect the spirit of Indian cinema,” the official said.

A recent meeting by senior ministry officials threw up several ideas for the celebration, including a tableau on Indian cinema at the 2013 Republic Day parade, an exhibition train showcasing Bollywood, postage stamps and coffee table books.

“ Two committees would be set up to oversee the celebrations. One would be a national committee headed by Soni, which would include the chief ministers of movie- producing states such as Maharashtra, Tamil Nadu and West Bengal, along with eminent film personalities.

The second will be an implementation committee to help execute the ideas of the national committee,” a source said.

Yeh Saali Zindagi Review, Rating : Mishra's Knotty Affair !

First thing reports in sections of the media claiming Yeh Saali Zindagi has 22 kisses are all lies. The film does have some thanda kisses. The number’s far from 22. So if you were planning to buy a ticket to watch a smoochathon, forget it.

Onto the film. Mishra’s penchant at balancing realism and entertainment has made him one of the most exciting crossover filmmakers of our times. He is clearly a sucker for suspense drama and loves to reinvent the genre in various ways. His latest is a delightful reiteration of the fact, though far from perfect.


The film is a gritty thriller that rides a romantic subtext. Essentially, this is Mishra in safe mode. He hasn’t had much of success lately. His last two films — Tera Kya Hoga Johny and Mumbai Cutting — are waiting commercial release despite being completed some time ago. His last release Khoya Khoya Chand, a critically commended romantic drama that opened three years ago, sadly flopped.

So, this time Mishra takes the suspense drama route of Is Raat Ki Subah Nahin, the film that catapulted him to the crossover A-list for the first time way back in 1996.

A crisp start to the story unleashes the characters all at once. You have Chitrangada Singh as a club singer, Priti. She is in love with Shyam (newcomer Vipul Gupta) although he is all set to marry a minister’s daughter. Priti is also Arun’s (Irrfan Khan) object of one-way affection.

Arun works as a financial fixer of sorts for a corrupt builder (Saurabh Shukla). Thrown in is a gangster Kuldeep (Arunoday Singh) who is assigned the job of kidnapping Shyam and the minister’s daughter. Kuldeep and his guys botch up, and end up kidnapping Priti along with Shyam. Arun happens to be a witness. It is up to him to save Priti.

Mishra is a deceptively languid storyteller. The narrative looks relaxed but whatever goes on quietly keeps adding the knots to the tale. His trademark black humour adds to the fun.

THE success of this genre of films relies on the maker’s ability to keep you guessing about what the characters are up to. It’s obvious right at the start that none of the players are wholly nice or what they seem. The narrative keeps teasing you with tips on who’s upto what all along. Without giving away what happens, Mishra tries to give the ending an upbeat spin. But the climax comes across as rather tame and hackneyed.

This is a crack cast that normally doesn’t go wrong. Irrfan carries off his antihero act with trademark swagger. No one makes Chitrangada look so gorgeous, act so confident as Mishra does — Yeh Saali Zindagi merely proves what we felt watching Hazaaron Khwaishen Aisi. Arunoday Singh proves again he is crossover Bollywood’s find of the season. The guy is here to stay.

Rating : 3 / 5

Filmfare Awards getting unfair for Yash Raj

It looks like Yash Raj Films’ troubles are far from getting over. As they were just limping back to normalcy with their recent hit ‘ Band Baaja Baaraat’, after giving series of flops in the last couple of years, the production house is mired with another controversy, and a more serious one at that.

As every year, this time too Filmfare Awards is being held at Yash Raj’s palatial studio in suburban Mumbai. But the news coming out from the stables is not good. Very first, “ The labourers engaged to work there do not belong to the Majdoor Union. Most of them are not registered with the Union,” informs Premji, the head of the Mumbai Film Majdoor Union, and secondly, but more important, two of the workers working there are seriously injured and have been hospitalised.

The story goes thus. Since the award night was just round the corner, Mechanical Engineer Rajendra Yadav was making every labourer work harder and longer. “ He was informed about the poor condition of the trolleys but before he could do anything, they gave way and fell on two workers, Ashish Kumar Khushwa and Rajesh adav,” says a source on the condition of anonymity.

An SMS confirmation from the RF studio said, “ An Incident happened on the Filmfare Awards sets a few days ago which the production unit attended to very promptly.” The incident occurred a couple of days back, on January 24. “ A complaint has been registered on the 25th of Jan at the Amboli police station.

However, no arrests or proper inquiries have been made in this issue,” says the source. As for Ashish and Rajesh, both of them are fighting their battle of life and death at the Kokilaben Dhirubhai Ambani Hospital at Four Bungalows, Mumbai.

Inspector of Police, Jitu Kadam of the Amboli police station confirmed the news saying, “ A complaint has been registered under section 337/ 338 on the 25th afternoon,” but refused to divulge anything more. Even though this time it was not the production house that had anything to do with the unfortunate accident, it still came under the eye of the storm, thanks to the carelessness of people working on the sets.

Talk about controversies... endless.

Danny Boyle's 127 Hours Review, Rating : Cuts it bloody deep

How does he get it right every time? Over the years — from Shallow Grave and Trainspotting to 28 Days Later and Slumdog Millionaire — Danny Boyle has handled diverse genres with perfect aplomb. Each time you go in to watch a Boyle film, you are confident the guy won’t disappoint. He never did, he doesn’t this time either.

127 Hours started off with a couple of advantages — besides the fact that Boyle was directing, of course. First, the rivetting story material at hand. Second, the casting of James Franco as leading man. Over time, Franco has emerged as a phenomenal talent. In Boyle’s latest, he virtually carries the 94- minute runtime all by himself with impressive screen presence.

By now we are all aware that 127 Hours is not an easy film to watch. Based on a real- life account, the film lays bare a piece of action that easily ranks among the most gruesome ever filmed in cinema. This isn’t a film for all. This is the story of Aron Ralston ( played by Franco). On a hiking trip in Utah, Aron has a free fall along a 65- foot canyon wall through a deep crevice. He isn’t killed but that isn’t good news entirely. Aron ends up in the pit with his right forearm trapped between a boulder and the canyon wall.

He survives in that state for 127 hours — that’s around five days — hoping someone will take notice. No one does. For one, the guy never informed anyone where he was going. And nearest civilisation is miles away. Aron realises he has to resort to extreme measures if he wants to live. Without giving away any sort of spoiler, ‘ extreme measure’ involves the arm, a knife he was carrying in his rucksack, his teeth, and no anaesthesia.

The climax is bloody gory. As Boyle’s camera laps up graphic details though, you don’t spot any urgency to sensationalise. 127 Hours is merely showing it as Aron lived it — his unforgettably most painful minutes.

Boyle and his coscreenplay writer Simon Beaufoy subtly prepare you for the hard finalé. The opening hour sees the camera brilliantly capture a carefree Aron, dazzling in a pink tee that sets alive the golden backdrop terrain, as he flirts with two pretty hikers. Franco essays Aron as a cocksure wanderer driven by instinct. The trait helps you understand why the man would land in such a mess in the first place.

The narrative quietly gets heavier once Aron is trapped. He hallucinates, and starts recording video letters. Crisply cut shots virtually take you inside the pit, and you live his claustrophobic agony.

Predictable as the ending is (even if you haven’t read Aron’s autobiography, Between A Rock And A Hard Place), Boyle primarily keeps you hooked with frenetic pace and brilliant storytelling. The camera becomes a voyeur of sorts as Aron’s situation goes from bad to worse.

It adds to the film’s restless mood. Boyle has described 127 Hours as “ an action movie about a guy who can’t move”. The film is bound to have a moving effect on its viewers, guaranteed.

Rating : 3.5 / 5

Dil Toh Baccha Hai Ji Review, Rating : Love’s lame labour

Typically, Madhur Bhandarkar’s new film has more characters and situational kicks than script. The difference is, this time Madhur has stepped out of his familiar shell of gritty cinema in an attempt to peddle comedy.

To raise a few laughs, Madhur picks on the convenient formula of exploiting relationship tensions. And to fashion his own brand of comedy, he tries giving the Hrishikesh Mukherji style of subtle humour a naughty spin, with the odd bursts of slapstick thrown in.


Dil Toh Baccha Hai Ji tries to be an unusual film, if only because it lets you gauge the lighter side of an otherwise ‘ serious’ filmmaker. If Madhur was in the mood to have some fun, he starts off with the advantage of a cast that perfectly fits the bill, too.

The film tries to understand man- woman relationships using parallel tracks that hinge on its three heroes. Predictably, each protagonist is penned to define a different male stereotype.

So Paresh Rawal’s voiceover starts off introducing Naren ( Ajay Devgn), Abhay ( Emraan Hashmi) and Milind ( Omi Vaidya). Naren is a bank manager going through divorce and he moves into his parent’s deserted flat. Hit by mid- life crisis, he needs company. His advertisement for paying guests sees Abhay and Milind land at his place.

Abhay, an out- of work gym trainer, lives off rich women while the gullible Milind, employed at a matrimonial website, is waiting for true love. The script, you realise here, starts looking forced. Since each guy needs a girl, the female cast is conveniently ( and somewhat unconvincingly) shoved in. Naren gets June ( Shazahn Padamsee), an intern assistant at work, for whom he develops a crush despite being almost 20 years older.

Abhay latches onto a wealthy socialite ( Tisca Chopra) who needs a toy boy. And Milind falls for Gungun ( Shraddha Das), a radio jock with Bollywood dreams. Just when you start wondering where these sub plots are headed, Madhur introduces the lame twists. June has a boyfriend, of course.

Abhay’s wealthy lover has a sexy step daughter ( Shruti Haasan) and now he is confused between the two. And ambitious Gungun, it turns out soon enough, is merely using Milind to realise her dreams. Given its theme, Dil Toh Baccha Hai Ji could have done with more energy. While the film doesn’t try to take itself too seriously, the plot becomes a victim of laidback narration.

In the second half especially, the film hardly moves at desired pace. Ajay is lovable as the coy, mid- life crisis hero in search of love. Emraan is at home in yet another slimeball avatar. Omi Vaidya merely rehashes the body language of Chatur in 3 Idiots . The girls are strictly okay, just like the film itself.

Rating - 2.5 / 5

Dhobi Ghat Movie Review : Prateik Babbar, Monica Dogra Impressive

In a neatly canned shot of Kiran Rao’s Dhobi Ghat , Prateik Babbar as washerman Munna reveals to the pretty NRI girl Shai (Monica Dogra) that he landed in Mumbai from Darbhanga jilla because he wasn’t getting enough to eat at home. He wants to be a filmstar — the next Salman Khan — and coyly asks the girl, a hobby photographer, if she’ll shoot his portfolio.

You could say it’s one of the zillion Slumdog Moments in Dhobi Ghat , manufactured to please the target fest- circuit crowd in the West that laps up desi poverty. Or, you could note the way Prateik (re) acts in the scene. He isn’t overjoyed, he isn’t scared. What you take back from the shot is the silent hesitation in his eyes, which projects a sort of consciousness of the class divide between him and the uptown Shai who offers him a cup of chai and lets him sit on her living room sofa.

The scene, as well as the film, tells you one thing: get used to Prateik Babbar. In Dhobi Ghat , an actor is born. Kiran Rao’s film is just a sneak peek of the talent minehouse at hand. It is upto Bollywood now to tap the raw young actor who at the same time bursts with energy and holds back just that bit to keep you asking for more.

While on Aamir, his big challenge clearly lay in lending his name (and funds) to a film that doesn’t try to deny its anti- mainstream mood. Kiran Rao’s indie- flavoured manifesto of Mumbai is everything you would not expect an Aamir Khan film to be. There’s an exceptional soundtrack but the music is sparsely used. Defining Mumbai through the eye of its assorted cast — each of whom plays an artist in his/ her own way — the film is deliberately shot by Tushar Kanti Ray to look like a documentary. And the lead cast, greenhorns all barring Aamir, conveniently lets you forget the fact that they are actors playing out rehearsed roles.

Rao’s script captures parallel sub plots. Shai comes to India on a sabbatical and sets off to shoot arty snaps of downtown Mumbai. She finds a guide in Munna, the deal being she will shoot his portfolio in return. There’s Arun ( Aamir), successful artist who stumbles upon a pile of video tapes on moving home, left by the ex- tenants. As Arun plays the tapes out of curiosity he discovers the narrator Yasmin ( Kriti Malhotra) who, it turns out as the tapes roll, is suffocated by a loveless existence.

Rao is impressive in the way she captures two Mumbais through the lenses of Shai and Yasmin. In essence, Mumbai itself is the fifth hero of the film as Rao draws a portrait of class divide. In one sequence, Arun calls the city “ my muse, my whore, my beloved”. The line defines Rao’s definition of Mumbai.

Dhobi Ghat Review, Rating : It fails to Impress

The wife of the actor who is termed as most talented in India cinema does not come as one of the most talented director of Bollywood. Dhobi Ghat was clearly trying to cash on the star power of Aamir Khan, however the only thing which brings success here is the good movie as 'Junta Janardhan' is educated and wise enough to choose between good and bad. Aamir Khan is known to publicize his movies in a different way all the time and this time it was no different, a latest act was to call th press conference just before the release and apologize to the Dhobi's of Mumbai in case he has hurt anybody's feeling or sentiments by naming the film 'Dhobi Ghat'.


Before its release, it was put in the league of movies like Lagaan, 3 Idiots and Taare Zameen Par, however it fails to fulfill all the promises made. It is an 95 minutes without any breaks and songs which is about 4 unrelated characters who happen to discover each other accidentally and then continue leading their lives just as they were before.

Aamir Khan plays Arun, a smoker and artist who has an one night stand accidentally with Shai (Monica Dogra), an NRI investment banker who wants to capture 'poor India, hungry India'. Shai get involved in shooting a portfolio for her Dhobi Munna (Prateik Babbar) who has aspirations to become an actor. In the mean time, Arun fells in love with Yasmin (Kriti Malhotra), whose depressing story is filmed in abandoned tapes that he discovers in his newly rented apartment.

The story moves around these characters, actually there is no story after than as it seems the writer-director Kiran Rao forgot to write the rest of the story after describing the characters of the fim. It was a great idea to bring different characters of different profession on to the same platform, however I'm afraid to say that idea was not executed to the mark.

If you want to watch it, just watch it for Aamir Khan and the new lad Prateik Babbar.

Rating - 2.5 / 5

Dil Toh Baccha Hai Ji releases on Republic Day now

The makers of the most awaited flick ‘Dil Toh Baccha Hai Ji’ has got a brilliant idea to take an advantage of a long weekend that falls in the last week of January. The release date of director Madhur Bhandarkar’s ‘Dil Toh Baccha Hai Ji’ has been brought forward by a couple of days to cash- in as much as possible from the public holiday.


The movie was slated to release on Friday, 28th January, but it will now be released on the Republic Day, that is January 26, meaning two days in advance. ‘Dil Toh Baccha Hai Ji’ is director’s first attempt at comedy after the serious women oriented movies like ‘ Chandni Bar’, ‘ Page 3’, ‘ Corporate’ and ‘ Fashion’. The film is about three men who are in search of their true love and how their life changes after the entry of their respective women.

Neetu Chandra goes without Panty just like Yana Gupta

Neetu-Chandra-without-pantyIf sources are to be believed actress Neetu Chandra has replicated the act done by Yana Gupta couple of months back to grab the headlines and ofcourse, some work. Neetu Chandra has worked with some prominent actors and film makers in the industry like Akshay Kumar, Abhay Deol and Madhur Bhandarkar. She has also worked in Telugu film Godavari and Tamil Film Yavarum Nalam which has been hit however as all know she has been missing from the screen & lime light for a while.

I remember the last time I saw her was on the television show named 'Emotional Atyachar' where she was kind of playing the undercover agent of the channel to expose the wrong doing of some unknown guy.

This little act of Neetu Chandra seems to be intentional and she might have followed after seeing what Yana Gupta has achieved doing the same. Yana was reporedly offered 1 crore to pose nude for a known magazine and now she is centre point of Sony TV dance show 'Jhalak Dikhla Ja'. She has been recemtly eliminated from the show however little birdie tells us that the channel wants here back as she was the one TRP puller for them.

Lets see if Neetu has done the same to walk on the same path as Yana.

I am a huge fan of Shahrukh Khan : Chitrangada Singh

Chitrangada Singh continues to tease Bollywood with her intense performances. Here’s the next one from her - the film ‘Yeh Saali Zindagi’ directed by Sudhir Mishra for producer Prakash Jha. The actress has also been linked to her mentor and director Sudhir Mishra, but she dismisses that as a “ work of someone with no work!” “ I play a singer called Preeti in the film,” she starts off conversation.


The actress clearly is in a mood to talk cinema as we begin business after exchanging pleasantries “ Preeti is a very ambitious girl. She would go to any extent to get what she loves and that gives a dimension to the character and adds grey shades to it,” she says. “ I am working with Irrfan Khan and Arunoday Singh in the film.” While Irrfan is the hero, Arunoday plays the villain of the piece.

Chitrangada says that the role is what got her to do the film. “ I have got such a beautiful role after waiting for a long time. The character of Preeti is like me in some aspects as well. Like she too believes in the fact that love is blind and I think so too. So that makes two of us – me and Preeti,” she says.

The actress explains the reason why she works a lot with Sudhir Mishra. “ He understands my abilities to perform and we have such a good tuning as well. In this film we have Irrfan Khan too and we really gelled well as a shooting unit. But more importantly, a film like this become a milestone in my career,” explains the actress.

The actress is hardly seen in Bollywood and often plays the now you see me, now you don’t see me game. Chitrangada explains the reason why. “ It is only about the kind of role that I want to do and the characters that are offered to me. I need to get excited about them. I believe in the fact that I would rather do quality work and be happy rather than do a lot of work which does not make sense,” she tries to justify.

The actress who married ace Indian golfer Jyoti Randhawa has a three and a half year old child as well and one wonders how it could be true that a girl like her has been managing all this work and still look beautiful enough to work in cinema even if it is a bit intermittent? “ Ha! I knew that was coming. Well, it is about time management. I have been doing films and commercials as well after my marriage and taking care of the two people in my life who matter.” Chitrangada will also be seen in all probability in Sudhir Mishra’s next film ‘ Dhruv’ as well. Kareena Kapoor is said to play a pivotal role in that film. “ We are talking about it now. I am also playing an important role in David Dhawan’s son Rohit Dhawan’s film ‘ Desi Boyz’. There is one more film with Prakash Jha which we are still discussing,” says the actress. Any unfulfilled desires? “ Well, not many people know that I am a huge fan of Shah Rukh Khan and want to work with him in a movie. I just did a commercial with him. And now I want to do a movie…,” she trails off.

Padma Lakshmi has no regrets on life with Salman Rushdie

Supermodel, celebrity food show host and cookbook writer Padma Lakshmi set the tone for the many by being amazingly honest about her life. Be it her success, her secret of dropping from Size 12 to Size 4 within 10 months of becoming a mother or her much-talked-about relationship with writer Salman Rushdie, she was as candid as one could get.

Replying to a probing question by session moderator Koel Purie Rinchet — the host of On The Couch With Koel — on the way the world viewed her relationship with Rushdie, Padma Lakshmi said: “I don’t regret a day of the over eight years I have spent with Salman. It was a very intense, deep, special and monumental part of my life.”

On the speculation that was rife at the time on her relationship with a much older but successful man, the host of America’s top-rated culinary show, the Emmy Award-winning Top Chef, said: “I was attracted to the accomplishment, I was attracted to be inspired, I was attracted to be inspiring. We loved each other. It was a big deal for both of us. There was nothing superficial about it.

Lakshmi looked simple yet fetching in a white dress, flaunting a bangle from her own jewellery line and the famous scar on her right arm that she received after a car crash when she was 14.

She explained how she had dropped eight clothes sizes in 10 months — without the luxury of sweating it out in a gym. She was also chatty about juggling motherhood and a high-profile job that required her to “sit on my butt, eat for a living and talk on TV”.

At the crack of dawn every day, Lakshmi runs up and down 70 flights of fire exit stairs at the back of her New York apartment. But she appeared on TV in her Size 12 self because she had to get back to work within six weeks of her daughter Krishna’s (now 10 months old) birth. That’s when she realised they just don’t make good clothes for big women.

Life’s not easy when you’re a single mum, a celebrity television show host, a writer of cookbooks and an entrepreneur whose spices and teas business made $2 million (Rs9.2 crore) in its first year. To be able to balance the many demands on her time, Lakshmi said she was learning how to “rearrange my professional life to accommodate the changes”.

She has cut down her social appearances, for starters. But life now has other compensations to offer. “No spreadsheet that tells me I have made so much money is more important than the laughter of Krishna,” Lakshmi said. “I am happy when I look into Krishna’s face. Success is a lot about how you define it.”

Throughout her talk, Lakshmi talked about life’s ability to throw up surprises. She had spent New Year’s Eve at “a very, very swanky resort” in a secluded Caribbean island where Prince decided to do an impromptu concert and then she was in her grandmother’s home at Besant Nagar, Chennai, sleeping in the same bed where she had slept when she was seven and taking “balti baths”.

“Have the imagination to be open to take what life gives you,” said the woman who has seen it all — from her disastrous foray into Bollywood with Boom (“the magnum opus”, as she sarcastically calls it now) to the relentless media scrutiny of her failed marriage with Rushdie, to achieving international celebrity status.

She also talked about the way she has transformed her lonely struggle against endometriosis, the leading cause of infertility among women (she had to have four surgeries to overcome the condition), into a campaign for early detection of the treatable disease.

Lakshmi said she did not want her talk to be “a collection of platitudes or clichĂ© press releases”. She kept her word — and kept the audience, comprising mainly women professionals, hooked on to everything she said.

Yamla Pagla Deewana Review, Rating : Low Deol Impact

How many Deols does it take to score a hit? Right now, three seems to be a safe number considering none of them guarantee a hit on their own. Yamla Pagla Deewana is a showcase aimed at pleasing the target fan base — the masses — of Garam Dharam plus Dharam puttars put together, no apologies extended.


You need to approach this film with total brainlessness. The core idea driving it is confusion, even as director Samir Karnik tries spoofing everything from Sunny- style action to Bobby- style mush to Dharam- style comedy.

You spot indulgent winks at an assortment of hits too, from Hollywood’s Hulk to apna DDLJ. Dharam and Bobby play the father- son duo of Dharam Singh and Gajodhar, petty conmen in Benaras. Their happy- go- lucky lifestyle gets a twist with the arrival of Paramveer ( Sunny). Param is a Canada- based NRI who lands in India because Dharam, it turns out, is his father and Gajodhar his brother.

Which gives Jasvinder Bath’s script a few excuses to create situations that let the Deol gang go over the top with antics ranging from the buffoonish to the bombastic.

Quickly recognising Param’s brawn power, the conmen baapbeta duo takes him in their fold because what they can’t attain with wit, he can get for them using his fist. Wait, if the Deols are out to create a big bang, Canada and Benaras aren’t enough.

The picture isn’t complete without a dash of Punjab. So, Gajodhar falls in love with a Punjaban , Sahiba ( Kulraj Randhawa). And before you scratch your brains over why the educated and sensible Sahiba should reciprocate to the advances of a crook, her brothers arrive and forcibly take her away to their village in Punjab. When Param hatches a plot to unite the lovers the screenplay takes a DDLJ turn, served with slapstick and stunts to heighten the Deol impact.

The film needed a better director. Samir Karnik seems overwhelmed tackling the khandaan of stars. The comedy works in fits, the action thrills in parts, and you have a story that takes too long to unfold. Bobby is clearly overshadowed by Dharmendra and Sunny’s screen presence, despite getting the essential author- backed scenes.

The two senior Deols strike vintage form despite the script, and could be your only reason to check this one out.

Rating - 2.5 / 5

Aamir Khan stars in Imran Khan Wedding with Avantika Malik

Imran Khan and Avantika Malik’s wedding reception on Monday at a Mumbai five-star hotel was mostly a family affair that saw a select list of outsiders being invited. The private gala may have been about Imran tying the knot with Avantika after seven years of courtship, but it was the young star’s mamujaan Aamir Khan who, true to form, hogged the limelight.

Aamir used the occasion to declare his number one status in Bollywood, albeit in jest. The incident happened when Aamir was asked if he had instigated Imran’s sisters to demand a hefty amount from Imran at the dwaar rokai ceremony.

“ Imran is a very stingy guy despite being India’s number one star, I mean number two — after all, I am number one!” quipped Aamir with a hearty laugh, even as Imran looked on sheepishly. For the record, Imran doled out ` 1,011,00 lakh to each of his six sisters.

Imran and Avantika opted for a registry marriage, at Aamir’s house in Pali Hill on Monday. It was a private affair, with only family members, including Aamir and his wife Kiran, his first wife Rina and their kids Junaid and Ira, Aamir’s cousin Mansoor Khan and his wife Tina, Aamir’s mother Zeenat, Imran’s parents, and aunts Nikhat and Farhat.

“ I don’t feel married yet. I think it will take some time to sink in. But I’m very happy,” said Imran. Aamir, and before him, Imran’s mother Nuzhat, had both wedded in the same bungalow.

The reception was hosted in the evening at a five- star hotel in Bandra. While Avantika looked resplendent in a Manish Malhotra lehenga with a red border and gold work, Imran turned out in a black bandhgala by Karan Johar and Varun Bahl.

Aamir was elated to see Imran getting married. “ We are very happy for both Imran and Avantika,” he said.

After the reception, Imran returned home with Avantika in a black Porsche bearing white flags that said ‘ Just Married’. The newly- weds are to leave for a three- day honeymoon in Phuket on Tuesday. However, their plans are still unclear. At the sangeet ceremony on Saturday, Imran had said he had “ no time for a honeymoon”. Imran is currently busy shooting for Yash Raj Films’ upcoming production, Mere Brother Ki Dulhan and Karan Johar’s Stand By Me . “ As soon as the wedding gets over, I have to return to shooting,” he had said.

Salman Khan, not Shah Rukh Khan, is people's favourite

The 17th edition of 'Star Screen Awards 2011' was held with great pomp. The award ceremony honours the best talents of Bollywood. And this time around, the super successful, superstar of the year, Salman Khan, has bagged an award for the best actor for his role of Chulbul Pandey in the all time blockbuster 'Dabangg' by people's choice.


The star pipped another superstar Shah Rukh Khan who was also in the race for the same category for ' My Name Is Khan', apart from many other good actors. Salman's exgirlfriend has been the winner of the people's choice best actress award. Low budget film ' Udaan' has bagged the best film award and its director Vikramaditya Motwane has got the best director for this film.

The ' Dabangg' success even got Sonakshi Sinha the award of the most promising newcomer female award and the new entrant in Bollywood, Ranveer Singh (' Band Baaja Baaraat'), has got an award for most promising newcomer male .

Bipasha Basu poses bare back on Maxim, gives career a push

Bipasha Basu is pulling out all the stops to revive her sagging career. The sultry siren, who recently hasn’t had hits, has posed topless for the cover of a leading lifestyle magazine.

The sepia-tinted photo-op features Bipasha showing off her shapely back, with folded hands tactfully covering her frontal torso. Bipasha’s topless cover shoot comes in the wake of Mandira Bedi’s bold photo- op for an international glossy, which was released on the internet earlier this week. Of late, several actresses have done bold photo- ops for magazine covers. Ameesha Patel did a topless shoot while Vidya Balan graced a magazine cover posing backless.

Even relatively demure actresses such as Chitrangada Singh, Amrita Rao and Soha Ali Khan have taken the sultry photo shoot route. Experts believe such hot photo- ops help garner publicity without spending much from the pocket.

Bipasha, whose image has been of a sex symbol, is of course no stranger to bold photo- ops. Starting with her debut film Ajnabee in 2001 to sultry roles in films such as Jism, Rudraksh, Corporate and Dhoom 2, the model- turned- actress has always been famous for her oomph.

Last year, she created ripples when a New York Lotto ad- film featuring her, which was shot way back in the nineties, surfaced on YouTube. The commercial had sequences featuring her in the buff, and was an instant hit. After the ad resurfaced, she said her boyfriend John Abraham thought she looked hot in it and that her parents were not upset.

While the latest photo shoot is in sync with Bipasha’s image, it has been quite some time since she has done such a daring skin show. Many feel it could have to do with her stagnant Bollywood career.

“ She needs to create some hype. It’s been over two years since Bipasha has had a hit. And her recent arthouse outings have failed to create much impact, too. Although she has the international venture Singularity coming up, it won’t help her consolidate base in India. The photo shoot is bound to bring her back in the news,” says a young filmmaker.

Singularity, too, will see Bipasha share a few steamy lovemaking scenes with Hollywood star Josh Hartnett. The buzz is that she has also agreed to do smoking hot scenes in upcoming Bollywood ventures such as Dum Maaro Dum and Players.

Bipasha, who turned 32 on Friday, is in a mood to party after a schedule of Singularity. “ I celebrate my birthday for a week, starting now! Thank God for this day when I was born! I love my life! Thank u all for your sweet wishes ( sic)!” she tweeted. She celebrated her day with John, her parents and sisters.

No One Killed Jessica Review : Reality Bites reveal awful truth

Rajkumar Gupta’s new film sets out to dissect the infamous Jessica Lall murder of 1999. For a film dealing with an incident that shook the whole country, it reveals the unflinching idiom of realism that the filmmaker showed in his debut film Aamir . But there is a flip side. Gupta, like so many others dealing with real controversies on the screen, refuses to take names. Except Jessica’s crusading sister Sabrina ( played here by Vidya Balan), most names — including the culprit’s — have been changed.


The aspect reveals an awful truth. Indian cinema is ready to tackle real subjects in a real way but is still coy when it comes to naming names. We witnessed as much in Once Upon A Time In Mumbaai and Rakht Charitra . We witness the same here again.

To refresh your memory, Jessica Lall, a model, was working as a celebrity bartender at a bigshot party in Delhi. The son of a powerful politician demanded she serve him a drink after the bar was closed (you know him as Manu Sharma from news headlines, but the name has been changed here). She refused. He shot her as 300 guests watched.

Gupta blends those facts with drama to set up a fine political thriller. The film looks at how the accused were initially acquitted by a lower court before nationwide protests, spearheaded by the media, forced the law to reopen the case and change the sentence.

Rani Mukherji, as the go- getter TV reporter Meera, represents the media here. While no particular female journalist can be credited with the campaign that led to a turnaround in the case, Rani’s casting is a clever box- office twist.

The film is unusual on two counts. First, this is a very different Delhi that Gupta presents — far removed from the perfect landscape of commercial ventures. This film bares the ugly side of the city as it exists in its highest echelons, where denizens are soaked in a drunken revelry of power.

The other thing is how well Gupta has utilised female bonding to move forward his story. Not many Bollywood films are woman- centric. Even fewer boast of two female lead actors. Sabrina’s equation with Meera unfolds gradually as the plot moves and the screenplay accommodates some fine moments for the two leads. Indeed, the film belongs to its lead actresses.

Rani is fury embodied. Vidya does a fine job in underplaying Sabrina’s resilience. The film is brilliant but it reveals an awful truth. Indian cinema is ready to tackle real subjects in a real way but, unlike Hollywood, is still coy when it comes to naming actual names.

Rating - 4 / 5

Bold Mandira Bedi shows baring one’s assets is in Vogue

She is known for her noodle straps more than her acting finesse. The moment the January issue of Vogue magazine hits the stands, Mandira ‘ noodle strap’ Bedi will appear in a new avatar — she will be the first Indian TV actress and host to go topless for a shoot.

Looking sexy in nothing else but a mini skirt with her breasts cupped in her palms, Mandira poses without a care in the world.

With her short cropped hair flying in a jumping pose and a big tattoo on her navel, she at once looks bold and stunningly beautiful.

With many of her followers tweeting about the picture on her Twitter page, Mandira seems to have become a tad nonchalant about the episode. On Tuesday, she tweeted: “ Its 1 picture.. 1 of many. & not a cover.. on the inside pages.

Honestly, it sounds dodgier than it is.” But she was quick to lap up the compliments being piled on her, only to move on to tweeting about the ongoing India- South Africa cricket series.

In the magazine, the shoot is accompanied by an interview. The actress has spoken about her health regime, fitness secrets and wardrobe preferences.

Mandira has a canny sense of how to stay in the news. From getting into a controversy for wearing a Tricolour sari on TV to sporting an Ek Omkar tattoo on her nape that angered Sikhs to giving her pet dogs Sikh names, her 15 minutes of fame seems to be lasting an eternity. Well, almost.